So who is this big, pensive man?
I have no idea, but if you're wondering, watch this short video about artist Sean Henry and his "Seated Figure."
As an older white guy with a beard who favours darks colours who also happens to carry a satchel (ha yes, I admit that it's basically a murse), I felt a little too seen next to this dude. But as an art-guy who LOVES how this figure invites curiosity and toys with scale and perspective, I mostly felt giddy.
This installation reminded me of the artwork of another sculptor: Saskatchewan-Canadian legend Joe Fafard. Renown for sculpting a multitude of multi-sized cows (there's a herd of them in Toronto) he also sculpted his friends and neighbours (farmers, waitresses, artists and teachers).
Why do artists enjoy playing with scale? Why not?
In particular, Fafard tells about a dream he once had where he had to confront a fearful figure but instead of escaping he stared the man down and the imposing figure shrunk smaller and smaller and smaller. It seems to me that in a way, artists can subdue, even master ideas by altering their size.
Plus, similar to Sean Henry's art, I think Fafard invites us to reexamine the extraordinary ordinary and recognize that we average folks (and many other everyday things) might just be works of art too.